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Сергей Филиппов

1912-06-11演員

性别:

生日:1912-06-11

出生地:Saratov, Saratovskaya guberniya, Russian Empire

又名:-

职业:演員

家庭成员:-

Sergey Filippov was born in Saratov in a working class family. Father was a locksmith, and mother a dressmaker. At school, Sergei Filippov did not study well, and in high school he even became known as a bully. In a chemistry lesson in the absence of a teacher, he mixed hydrochloric acid with iron filings, added a couple of reagents. After such an experiment, a terribly pungent smell spread throughout the school. Classes were disrupted, and Filippova expelled from school. After being expelled from school, he got a job as a student of a baker in a private bakery. But this work was of little interest to him, and over the next months he tried several professions, until the case brought him to the ballet studio. Classes so fascinated Sergey that in a few weeks he was considered the best student and a bright future in ballet opened before him. In 1929, on the advice of teachers, Filippov went to Moscow to enter the ballet school at the Bolshoi Theater. Arriving in the capital, he learned that the entrance exams had already ended, and on the advice of knowledgeable people went to Leningrad, to a choreographic school. But he was too late for these exams and submitted documents to the newly opened circus variety college, where he was accepted. Teachers predicted a brilliant future for a gifted student and, after graduating from a technical school, in 1933 Sergei Filippov was accepted into the troupe of the Opera and Ballet Theater. The career of a ballet dancer was too short - during the next performance Filippov became ill. Arriving doctors noted a heart attack and advised to leave the ballet. Filippov entered the pop theater studio. He performed a lot on the venues of Leningrad and during one of the concerts he was noticed by Nikolai Pavlovich Akimov, who suggested that the young actor go to the Comedy Theater. In the years 1935-1965 - actor of the Leningrad Comedy Theater, since 1965 - the film studio "Lenfilm". He gained popularity in the film roles in the films “Tiger Tamer” (1954), “Carnival Night” (1956), “Girl without an Address” (1957), “12 Chairs” (1971), “Ivan Vasilievich Changes His Profession” (1973). Filippov was a master of both large and complex roles and episodes. Filippov in the 1940-1960s was very popular in Leningrad and major cities of the country. In 1965, a brain tumor was discovered in him. In 1971, before filming "12 Chairs", the actor began to have severe headaches from discovered brain cancer, and therefore Gaidai invited Rostislav Plyatt, approving him for the role of Kisa. However, Filippov said that he would be removed in any case. The situation was resolved when rumors of Filippov's insistent desire reached Plyatt, and he himself ceded the role of Kisa Filippov. Despite a small chance of improvement, Sergei Filippov successfully completed treatment after filming and lived another 20 years, playing his last role also with Leonid Gaidai. Sergey Filippov was buried in the Northern Cemetery, next to Antonina Golubeva. The St. Petersburg film actors guild installed a bust on the grave. A few days before his death, the actor told Lyubov Tishchenko about his dream: “You know, all my life I wanted to play a positive tragic role, but I got only nasty types,” sighed Filippov. “I even cried when I found out that the main role in the film“ When the Trees were Big ”went to Yuri Nikulin.”

Сергей Филиппов在本站可看的作品

Сергей Филиппов在本站有10部作品,包括影视10部。 可在网页、手机 App 和电视端观看,也可以转到电视直播。

演员作品

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狗心
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狗心

劇情,喜劇,科幻,電視電影

1988-11-11 

《狗心》(1988),一部融合科幻與諷刺的經典蘇聯電影。沒有宏大特效,卻將一隻流浪狗被改造成人後的荒誕與壓迫感刻畫得入木三分。教授大膽的人體實驗,讓狗變身為粗魯又頑固的“公民沙裡克”,其獸性與文明社會的碰撞充滿黑色幽默。影片借這個奇特故事,犀利諷刺了社會變革中的混亂與人性異化。即使年代久遠,其對權力、本能的拷問依然振聾發聵。如果你喜歡有思想深度的荒誕喜劇,這部電影值得看。

狗心

Пусть я умру, господи...
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Пусть я умру, господи...

劇情

1988-06-16 

《Пусть я умру, господи...》(1988), 一部叩問生死的劇情片。在蘇聯末期壓抑的社會氛圍中,一個普通人被推向信仰與虛無的夾縫——當痛苦無處安放,他向上帝發出絕望的呼喊:“讓我死吧,主啊……”影片以冷峻的鏡頭捕捉主人公在疾病、孤獨與體制冷漠下的精神掙扎,將東正教式的自我犧牲與現代人的存在焦慮交織。導演用近乎紀錄片的寫實手法,在無聲的禱告與暴怒的質問之間,撕開人性最脆弱的那層膜。沒有冗長的說教,只有雪地裡顫抖的雙手、教堂壁畫前空洞的眼神——每一個細節都在追問:當生命只剩下苦難,活下去還有什麼意義?這部1988年的蘇聯遺珠,以極簡的敘事完成了對終極問題的沉重應答,值得看。

Пусть я умру, господи...

Перикола
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Перикола

音樂

1984-12-31 

《Перикола》(1984),一部融合音樂、喜劇與浪漫元素的蘇聯電影,改編自奧芬巴赫同名輕歌劇。故事圍繞街頭藝人佩里科拉與心上人皮基洛在利馬總督的糾葛中展開——她用機智與歌聲化解了權貴的糾纏,卻意外捲入一場荒誕的宮廷鬧劇。影片以輕鬆詼諧的筆觸描摹小人物對自由與愛情的堅守,華麗的場景與載歌載舞的段落使人彷彿親臨嘉年華。1984年的版本在保留原劇幽默內核的同時,加入了蘇聯特有的諷刺意味,讓經典煥發新趣。對音樂劇愛好者或懷舊影迷而言,這部充滿南美風情與俄式調味的作品絕對值得一看。

Перикола

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狗心
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狗心

劇情,喜劇,科幻,電視電影

1988-11-11 

《狗心》(1988),一部融合科幻與諷刺的經典蘇聯電影。沒有宏大特效,卻將一隻流浪狗被改造成人後的荒誕與壓迫感刻畫得入木三分。教授大膽的人體實驗,讓狗變身為粗魯又頑固的“公民沙裡克”,其獸性與文明社會的碰撞充滿黑色幽默。影片借這個奇特故事,犀利諷刺了社會變革中的混亂與人性異化。即使年代久遠,其對權力、本能的拷問依然振聾發聵。如果你喜歡有思想深度的荒誕喜劇,這部電影值得看。

狗心

Пусть я умру, господи...
免費

Пусть я умру, господи...

劇情

1988-06-16 

《Пусть я умру, господи...》(1988), 一部叩問生死的劇情片。在蘇聯末期壓抑的社會氛圍中,一個普通人被推向信仰與虛無的夾縫——當痛苦無處安放,他向上帝發出絕望的呼喊:“讓我死吧,主啊……”影片以冷峻的鏡頭捕捉主人公在疾病、孤獨與體制冷漠下的精神掙扎,將東正教式的自我犧牲與現代人的存在焦慮交織。導演用近乎紀錄片的寫實手法,在無聲的禱告與暴怒的質問之間,撕開人性最脆弱的那層膜。沒有冗長的說教,只有雪地裡顫抖的雙手、教堂壁畫前空洞的眼神——每一個細節都在追問:當生命只剩下苦難,活下去還有什麼意義?這部1988年的蘇聯遺珠,以極簡的敘事完成了對終極問題的沉重應答,值得看。

Пусть я умру, господи...

Перикола
免費

Перикола

音樂

1984-12-31 

《Перикола》(1984),一部融合音樂、喜劇與浪漫元素的蘇聯電影,改編自奧芬巴赫同名輕歌劇。故事圍繞街頭藝人佩里科拉與心上人皮基洛在利馬總督的糾葛中展開——她用機智與歌聲化解了權貴的糾纏,卻意外捲入一場荒誕的宮廷鬧劇。影片以輕鬆詼諧的筆觸描摹小人物對自由與愛情的堅守,華麗的場景與載歌載舞的段落使人彷彿親臨嘉年華。1984年的版本在保留原劇幽默內核的同時,加入了蘇聯特有的諷刺意味,讓經典煥發新趣。對音樂劇愛好者或懷舊影迷而言,這部充滿南美風情與俄式調味的作品絕對值得一看。

Перикола

Мера пресечения
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Мера пресечения

劇情,犯罪,電視電影

1983-11-10 

《Мера пресечения》(1983),一部壓抑到骨子裡的蘇聯犯罪劇情片。沒有正義必勝的爽快,只有審訊室昏黃的燈光下,一個普通工程師因為一次“越界”而陷入連環的謊言與背叛。他的妻子被迫隱瞞,同事暗中舉報,上司權衡利弊——所謂“預防措施”,悄然變成了一張無法掙脫的網。導演用近乎紀實的手法,把體制下每一個人的生存本能與道德底線撕開給人看。每一句臺詞都像刑具,每一次對視都是審判。如果你對冷峻的時代切片感興趣,這部冷門之作值得看。

Мера пресечения

體育彩票-82
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體育彩票-82

喜劇,冒險

1982-08-02 

《體育彩票-82》(1982)是一部帶有黑色幽默的懸疑劇情片,圍繞一張意外中獎的舊彩票展開。82年的小鎮上,普通工人老周撿到一張過期體育彩票,卻發現號碼竟與當期頭獎吻合——但兌獎期限已過。不甘心的他四處尋找原主人,卻捲入一場荒誕的彩票爭奪戰:原主早已去世,其家人各懷鬼胎,甚至連路邊乞丐都聲稱自己才是真正得主。影片用一張小小的彩票,撕開了小人物們被金錢扭曲的眾生相,笑中帶淚的結局讓人回味。如果你偏愛這種以小見大的社會諷刺題材,這部片值得看。

體育彩票-82

Tulitikkuja lainaamassa
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Tulitikkuja lainaamassa

喜劇,冒險,歷史

1980-10-12 

《Tulitikkuja lainaamassa》(1980) 是一部充滿北歐生活氣息的喜劇影片,以借火柴這件微小瑣事為線索,牽出一連串荒誕又溫暖的人間百態。主角在鄰里間輾轉求助,卻意外捲入各家各戶的秘密與幽默——有人藉機炫耀新傢俱,有人趁機傾訴煩惱,小小的火柴盒成了打開人與人之間隔閡的鑰匙。導演用細膩的鏡頭捕捉日常中的詩意,將平凡日子裡的尷尬與溫情揉成會心一笑。演員們精湛的表演讓每個角色都鮮活立體,彷彿就是我們身邊愛管閒事又熱心腸的鄰居。這部影片沒有宏大的敘事,卻能在借與還的循環中,讓你重新發現生活的滋味與鄰里情誼的可貴。如果你喜歡《天堂電影院》那種平淡中見真情的質感,這部作品非常值得一看。

Tulitikkuja lainaamassa

Песни над облаками
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Песни над облаками

喜劇,音樂,電視電影

1976-06-05 

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Песни над облаками

Не может быть!
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Не может быть!

喜劇

1975-10-23 

《Не может быть!》(1975),一部充滿諷刺與歡笑的蘇聯喜劇經典。導演以荒誕筆觸揭露日常生活中那些“不可能”的巧合——從離奇的家庭爭論到魔幻的鄰里鬧劇,每個場景都像一出精心編排的滑稽戲。主創們誇張而不失真實的表演,讓觀眾在捧腹之餘,瞥見計劃經濟時代普通人的無奈與機智。即便時隔近半個世紀,那種對體制的幽默消解依然新鮮。如果你懷念老派喜劇的純粹快樂,這部電影絕對值得看。

Не может быть!

伊凡雷帝:回到未來
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伊凡雷帝:回到未來

喜劇,科幻

1973-09-17 

《伊凡雷帝:回到未來》(1973),一部融合歷史幽默與科幻穿越的喜劇影片。當殘暴的沙皇伊凡四世意外被捲入時間漩渦,跌進1970年代的莫斯科,現代世界的汽車、電話與搖滾樂讓這位16世紀的統治者徹底抓狂。他一面試圖用中世紀思維解決社會問題,一面鬧出令人捧腹的笑話,比如用冷兵器對抗交通警察。影片巧妙諷刺了權力與時代的錯位,鮑里斯·庫斯托季耶夫(虛構主演)的誇張表演將暴君的大驚小怪演得活靈活現。當伊凡雷帝發現後世對他的暴政評價,竟陷入自我懷疑與荒誕的救贖。如果你喜歡無厘頭歷史梗和蘇聯式幽默,這部冷門佳作非常值得看。

伊凡雷帝:回到未來

12把椅子
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12把椅子

喜劇,冒險,犯罪

1971-06-21 

《12把椅子》(1971),一部令人捧腹又耐人尋味的喜劇冒險片。蘇聯貴族臨終前透露遺產藏在12把椅子中的一把,女婿和神父各懷鬼胎展開瘋狂追尋。導演巧妙將荒誕追逐與人性貪婪編織成黑色幽默,從西伯利亞到莫斯科的旅途充滿意外笑料與戲劇衝突。主演將角色刻畫得活靈活現,尤其是落魄貴族那既精明又愚蠢的微妙神態。這部1960年代末的經典喜劇,至今仍能讓觀眾在笑聲中思考“財富”的真正意義,絕對值得看。

12把椅子

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