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Roger Leenhardt

1903-07-23導演

性别:

生日:1903-07-23

出生地:Montpellier, Hérault, France

又名:-

职业:導演

家庭成员:-

Roger Leenhardt (23 July 1903 – 4 December 1985) was a French writer and filmmaker. Born in a bourgeois Protestant family, this brilliant student of philosophy was very soon fascinated by cinema. Through a cousin, he started working for the newsreel program Éclair Journal and in 1934 set up his own production company with René Zuber, "Les Films du Compas," later known as, "Roger Leenhardt Films.” As a critic in the journal Esprit, he was considered one of the most perceptive observers of pre-war France and strongly influenced André Bazin and the entire "Nouvelle Vague.” Thanks to his series of articles known as "La petite école du spectateur," cinema became considered as an art and a language in its own right. Leenhardt also contributed to other journals, such as Fontaine, Les Lettres Françaises, and l'Ecran français, in which in 1948 he delivered his famous cry, "Down with Ford! Long Live Wyler!" In 1949, he fostered the creation of the cinema club Objectif 49 of which he was the co-president with Robert Bresson and Jean Cocteau. Destined to promote a new cinema d'auteur, the club resulted in the creation in Biarritz of the Festival of Cursed Films [Festival des Films Maudits]. Beginning in the 1950s he presided over the French Association for the Promotion of Cinema [Association française pour la diffusion du cinéma] which organized a traveling festival, Cinéma Days [Les Journées du cinéma] (1953–1960). Finally, in 1955 Leenhardt participated in the creation in Tours of the International Days of Film [Journées internationales du film] which became the Festival of Tours. Specialized in short films, the festival brought together the foremost filmmakers, including François Truffaut, Chris Marker, Agnès Varda, Jacques Demy, Roman Polanski, Robert Enrico, and others. His documentary works are numerous and include the creation of more than 60 short films and the production of a similar number. There are two main categories of his work: Portraits of great writers (e.g. François Mauriac, Paul Valéry, Victor Hugo, etc.), and portraits of famous painters (e.g., Monet, Pissarro, Bazile, etc.). He also made a film on the origins of photography (Daguerre ou la Naissance de la photographie, 1964) and another on the invention of cinema (Naissance du cinéma, 1946), a masterpiece of pedagogical and intelligence. Privileging his artist vision, Leenhardt made only three feature-length fiction films: Les Dernières Vacances [fr] (1948), Le Rendez-vous de minuit [fr] (1961), and, for television, Une fille dans la montagne (1964). Moreover, Roger Leenhardt appeared in three films as an actor. In Les Dernières vacances, he is the teacher. Jean-Luc Godard chose him to be the character "Intelligence" in Une femme mariée (1964) and François Truffaut chose him as the publisher in L'Homme qui aimait les femmes (1977).

Roger Leenhardt在本站可看的作品

Roger Leenhardt在本站有2部作品,包括影视2部。 可在网页、手机 App 和电视端观看,也可以转到电视直播。

演员作品

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痴男怨女
免費

痴男怨女

劇情,喜劇,愛情

1977-04-27 

《痴男怨女》(1977),一部被歲月塵封的香港愛情倫理片。沒有簡單的好人壞人之分,只有兩個在婚姻圍城裡互相折磨的男女——丈夫沉溺舊情,妻子用刻薄和報復刺痛對方,卻在每次爭吵後更深地糾纏。導演用細膩的鏡頭語言,捕捉眼神與沉默裡的千言萬語,把“愛而不得”的痛楚拍得淋漓盡致。片中的旗袍、街燈和雨巷都成了情緒的註腳,若你偏愛老派文藝片裡那種剋制又洶湧的情感,這部被低估的經典推薦給你。

痴男怨女

已婚女人
免費

已婚女人

劇情,愛情

1964-12-04 

《已婚女人》(1964),一部深刻探討婚姻圍城內女性心理的劇情片。當激情褪去,日常瑣碎與情感疏離如何蠶食自我?導演以冷峻而詩意的鏡頭,剖開一位中產階級主婦的隱秘掙扎:她在丈夫與情人之間遊移,試圖找回被家庭角色吞沒的個體存在感。1964年的法國社會,婚姻制度被視為牢籠,而本片恰恰從女性視角撕開這道裂痕,用細膩的心理刻畫與膠片質感,呈現一場無聲的內心革命。沒有激烈衝突,卻處處是暗湧:偷情的短暫歡愉、與孩子的疏遠、自我意識的覺醒……這些元素共同拼湊出一幅關於婚姻本質的殘酷拼圖。無論是對婚姻制度感興趣的觀眾,還是偏愛心理剖析的影迷,這部法國新浪潮遺珠都值得看。

已婚女人

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痴男怨女
免費

痴男怨女

劇情,喜劇,愛情

1977-04-27 

《痴男怨女》(1977),一部被歲月塵封的香港愛情倫理片。沒有簡單的好人壞人之分,只有兩個在婚姻圍城裡互相折磨的男女——丈夫沉溺舊情,妻子用刻薄和報復刺痛對方,卻在每次爭吵後更深地糾纏。導演用細膩的鏡頭語言,捕捉眼神與沉默裡的千言萬語,把“愛而不得”的痛楚拍得淋漓盡致。片中的旗袍、街燈和雨巷都成了情緒的註腳,若你偏愛老派文藝片裡那種剋制又洶湧的情感,這部被低估的經典推薦給你。

痴男怨女

已婚女人
免費

已婚女人

劇情,愛情

1964-12-04 

《已婚女人》(1964),一部深刻探討婚姻圍城內女性心理的劇情片。當激情褪去,日常瑣碎與情感疏離如何蠶食自我?導演以冷峻而詩意的鏡頭,剖開一位中產階級主婦的隱秘掙扎:她在丈夫與情人之間遊移,試圖找回被家庭角色吞沒的個體存在感。1964年的法國社會,婚姻制度被視為牢籠,而本片恰恰從女性視角撕開這道裂痕,用細膩的心理刻畫與膠片質感,呈現一場無聲的內心革命。沒有激烈衝突,卻處處是暗湧:偷情的短暫歡愉、與孩子的疏遠、自我意識的覺醒……這些元素共同拼湊出一幅關於婚姻本質的殘酷拼圖。無論是對婚姻制度感興趣的觀眾,還是偏愛心理剖析的影迷,這部法國新浪潮遺珠都值得看。

已婚女人

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