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Jaque Catelain

1897-02-09演員

性别:

生日:1897-02-09

出生地:Saint-Germain-en-Laye, Yvelines, France

又名:Jacques Guérin-Castelain,Jaque-Catelain,Jacques Catelain,Jacques Catelin,Jacque Cathelain

职业:演員

家庭成员:-

Jaque Catelain was a French actor who came to prominence in silent films of the 1920s, and who continued acting in films and on stage until the 1950s. He also wrote and directed two silent films himself and was a capable artist and musician. He had a close association with the director Marcel L'Herbier. He was born as Jacques Guérin-Castelain in Saint-Germain-en-Laye. His father was then the mayor and also moved in literary and theatrical circles, which allowed the young Jacques to encounter many famous names in his childhood. He showed early enthusiasm for the arts and music, and at the age of 16 he entered the Académie Julian in Paris to study fine arts. With the outbreak of war in the following year, he changed direction and chose to study acting at the Conservatoire, enrolling in the class of Paul Mounet, before being mobilised into the artillery. In 1914 Catelain met Marcel L'Herbier, then a writer and critic, who became a major influence on his life and career, and with whom he formed a lifelong friendship. When L'Herbier began directing films in 1917, Catelain became his leading man of choice and starred in twelve of his silent films, starting with Le Torrent, and they made Catelain into a leading star who was in demand to appear in foreign films as well as in productions of other French directors. In 1925 he was offered a seven-year contract by MGM to work in America, but he turned this down. Jaque Catelain's activities in this period extended beyond acting. When Marcel L'Herbier set up his own production company Cinégraphic in 1922, its first project became Le Marchand de plaisirs which Catelain directed as well as acting a double role in it. In the following year he wrote and directed La Galerie des monstres (1923/24). Both films were successful enough to cover their costs. He devised controversial make-up for some of the actors in L'Inhumaine, and his artistic skills were put to further use in two set designs for L'Argent. As a pianist he would sometimes step in to provide improvised accompaniment for previews of L'Herbier's films. Catelain successfully made the transition from silent to sound films, starring in L'Herbier's L'Enfant de l'amour (1929), but during the 1930s he took fewer leading film roles and started to act in the theatre. In February 1933 he married Suzanne Vial, a friend since childhood who had become a production assistant to L'Herbier in the 1920s and continued working with him until 1944. Soon afterwards in 1933/1934 he was employed by the daily newspaper Le Journal to go to Hollywood to carry out a series of interviews with leading personalities such as Chaplin, Stroheim and Sternberg. In May 1940, Catelain left France for a four-month theatrical tour of South America, but within a month France was occupied by the Germans and his absence lasted for six years. In Buenos Aires he became so ill with pneumonia that he was given the last rites, but he recovered and went to Canada for the next three years for work in the theatre and propaganda broadcasts. In 1943 he was invited to Hollywood and remained there for a further three years. He returned to Paris in 1946, and resumed an occasional career in films, appearing in minor roles in three of Jean Renoir's films in the 1950s. In 1950, he published a biography and appreciation of the work of Marcel L'Herbier. Catelain died in Paris in 1965.

Jaque Catelain在本站可看的作品

Jaque Catelain在本站有7部作品,包括影视7部。 可在网页、手机 App 和电视端观看,也可以转到电视直播。

演员作品

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科德利爾的遺囑
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科德利爾的遺囑

電視電影,科幻,恐怖

1960-07-04 

柯爾德利博士住在巴黎的一個郊區,他為了研究人腦的功能而脫離社會。他的一生好友喬利大律師在柯爾德利起草一份遺囑,將整個遺產都留給了一個陌生人奧帕勒時感到擔憂;他不明白為什麼柯爾德利會為他辯護,因為奧帕勒曾襲擊婦女和兒童。在一名同事被殺後,喬利質問柯爾德利,發現了他朋友行為背後的真相。

科德利爾的遺囑

法國康康舞
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法國康康舞

喜劇,劇情,愛情,音樂

1955-04-09 

《法國康康舞》(1955)是一部讓·雷諾阿執導的華麗歌舞傑作,以色彩鮮豔的巴黎紅磨坊為背景,講述康康舞從民間藝術昇華為舞臺經典背後的愛恨情仇。影片並非單純展現舞蹈,而是通過一位劇院經理與舞者、贊助人之間的複雜糾葛,帶出藝術商業化的矛盾和浪漫激情的碰撞。雷諾阿用流暢的移動鏡頭和熱烈的群舞場面,讓觀眾彷彿置身於19世紀末巴黎的喧囂夜色中。結尾的康康舞大戲尤其值得看,華麗且富有生命力。

法國康康舞

L'Escadrille de la chance
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L'Escadrille de la chance

喜劇

1938-06-29 

《L'Escadrille de la chance》(1938),一部充滿激情的法國戰爭冒險電影,聚焦於一戰時期空軍飛行員的生死命運。片中幸運中隊在硝煙中穿梭,主角們不僅要面對敵機的致命威脅,還要處理戰友間的信任與背叛。Lili Damita與Gaston Jacquet等演員的精彩演繹,讓空戰場景與人物情感交織,緊張刺激之餘不乏溫情。那些關於勇氣與忠誠的抉擇,在舊時代膠片中熠熠生輝。如果你鍾愛古典空戰題材,這部經典很值得一看。

L'Escadrille de la chance

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科德利爾的遺囑
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科德利爾的遺囑

電視電影,科幻,恐怖

1960-07-04 

柯爾德利博士住在巴黎的一個郊區,他為了研究人腦的功能而脫離社會。他的一生好友喬利大律師在柯爾德利起草一份遺囑,將整個遺產都留給了一個陌生人奧帕勒時感到擔憂;他不明白為什麼柯爾德利會為他辯護,因為奧帕勒曾襲擊婦女和兒童。在一名同事被殺後,喬利質問柯爾德利,發現了他朋友行為背後的真相。

科德利爾的遺囑

法國康康舞
免費

法國康康舞

喜劇,劇情,愛情,音樂

1955-04-09 

《法國康康舞》(1955)是一部讓·雷諾阿執導的華麗歌舞傑作,以色彩鮮豔的巴黎紅磨坊為背景,講述康康舞從民間藝術昇華為舞臺經典背後的愛恨情仇。影片並非單純展現舞蹈,而是通過一位劇院經理與舞者、贊助人之間的複雜糾葛,帶出藝術商業化的矛盾和浪漫激情的碰撞。雷諾阿用流暢的移動鏡頭和熱烈的群舞場面,讓觀眾彷彿置身於19世紀末巴黎的喧囂夜色中。結尾的康康舞大戲尤其值得看,華麗且富有生命力。

法國康康舞

L'Escadrille de la chance
免費

L'Escadrille de la chance

喜劇

1938-06-29 

《L'Escadrille de la chance》(1938),一部充滿激情的法國戰爭冒險電影,聚焦於一戰時期空軍飛行員的生死命運。片中幸運中隊在硝煙中穿梭,主角們不僅要面對敵機的致命威脅,還要處理戰友間的信任與背叛。Lili Damita與Gaston Jacquet等演員的精彩演繹,讓空戰場景與人物情感交織,緊張刺激之餘不乏溫情。那些關於勇氣與忠誠的抉擇,在舊時代膠片中熠熠生輝。如果你鍾愛古典空戰題材,這部經典很值得一看。

L'Escadrille de la chance

馬賽曲
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馬賽曲

歷史,劇情

1938-02-10 

《馬賽曲》(1938)是一部氣勢磅礴的歷史戰爭影片,將觀眾帶回1792年法國大革命最激盪的歲月。導演讓·雷諾阿以恢弘的群像敘事,勾勒出馬賽義勇軍高唱戰歌奔赴巴黎的壯烈征程。影片沒有聚焦單一英雄,而是通過士兵、市民、貴族等多重視角,還原革命洪流中個體的熱血與困惑。戰火、街頭集會、宮廷陰謀交織,再現《馬賽曲》誕生背後的民族覺醒。鏡頭語言充滿詩意與力量,既有史詩的格局,又不失細膩的人性刻畫。這部經典之作不僅是法國電影的驕傲,更用藝術永恆定格了自由與抗爭的號角。如果你對革命題材或經典老片情有獨鍾,非常推薦一看。

馬賽曲

無情的女人
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無情的女人

劇情,科幻

1924-12-12 

住在巴黎郊區的著名歌手克萊爾·萊斯考特受到許多男人的追求,其中包括王公德喬拉·德·諾普爾和年輕的瑞典科學家埃納爾·諾森。 在她奢華的聚會上,她享受他們的多情關注,但她在情感上仍然冷漠並無情地嘲笑他們。 當她被告知諾森因為她而自殺時,她沒有表現出任何感情。 在她的下一場音樂會上,觀眾對她的冷漠感到憤怒,向她發出噓聲。 她參觀了諾森屍體所在的金庫,當她承認自己對他的感情時,她發現他還活著。 他的死是假死的。 喬拉嫉妒他們的新關係,導致克萊爾被毒蛇咬傷。 她的屍體被帶到諾森的實驗室,在那裡他利用他的科學發明使克萊爾復活。

無情的女人

唐璜與浮士德
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唐璜與浮士德

劇情

1922-10-07 

《唐璜與浮士德》(1922),一部融合歐洲兩大傳說的默片經典。影片將情聖唐璜的放浪不羈與學者浮士德的靈魂交易巧妙交織,在黑白光影中探討慾望與救贖的永恆命題。沒有對白的時代,依靠演員誇張的肢體語言和表現主義佈景,塑造出荒誕又迷人的超現實氛圍。兩大主角如同鏡像對比,一個追逐肉慾,一個渴求知識,最終都陷入與魔鬼的糾葛。亮點在於導演用早期電影技巧呈現了抽象的心理掙扎,讓百年後的觀眾仍能感受到人性的掙扎。這部作品值得看,它不僅是電影史的活化石,更在無聲中講述了一個關乎所有時代的寓言。

唐璜與浮士德

Le Torrent
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Le Torrent

暂无分类信息

1917-11-30 

《Le Torrent》(1917),這部默片時代的經典之作,以“影片”類型融合了心理驚悚與自然主義悲劇。故事聚焦於一名被壓抑的青年,他在目睹母親遭遇暴行後,內心如同溪流暴漲為洪流,最終在復仇與懺悔的漩渦中撕裂自我——導演用光影的明暗對比和人物面部特寫,將慾望與罪疚的暗流推到極致。沒有一句對白,卻讓觀眾聽見靈魂的嘶吼。值得一提的是,片中洪水場景的實拍在1917年堪稱技術奇蹟,那種原始粗糲的震撼至今仍能穿透百年時光。如果你渴望體驗早期電影如何用純粹影像講述複雜人性,這部《Le Torrent》非常值得看。

Le Torrent

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