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寺山修司

1935-12-10導演

性别:

生日:1935-12-10

出生地:Aomori, Japan

又名:Shûji Terayama,寺山 修司,Shuuji Terayama,테라야마 슈지,슈지 테라야마

职业:導演

家庭成员:-

From Wikipedia, the free encyclopedia. Shūji Terayama (December 10, 1935 – May 4, 1983) was an avant-garde Japanese poet, dramatist, writer, film director, and photographer. According to many critics and supporters, he was one of the most productive and provocative creative artists to come out of Japan. He was born December 10, 1935, the only son of Hachiro and Hatsu Terayama in Hirosaki city in the northern Japanese prefecture of Aomori. His father died at the end of Pacific War in Indonesia in September 1945. At the age of nine, his mother moved to Kyūshū to work at an American military base while he himself went to live with relatives in the city of Misawa, also in Aomori. At this same time, Terayama lived through the Aomori air raids that killed more than 30,000 people. Terayama entered Aomori Prefectural Aomori High School in 1951, and in 1954 went to prestigious Waseda University's Faculty of Education to study Japanese language and literature. However, he soon dropped out because he fell ill with nephrotic syndrome. He received his education through working in bars in Shinjuku. His oeuvre includes a number of essays claiming that more can be learned about life through boxing and horse racing than by attending school and studying hard. Accordingly, he was one of the central figures of the "runaway" movement in Japan in the late 1960s, as depicted in his book, play, and film "Throw Away Your Books, Run into the Streets! In 1967, Terayama formed the Tenjō Sajiki theater troupe, whose name comes from the Japanese translation of the 1945 Marcel Carné film "Les Enfants du Paradis", so can be translated as "children of heaven", however its correct translation is "Ceiling Gallery" and has a meaning similar to the English expression "Peanut Gallery". The troupe was dedicated to the avant-garde and staged a number of controversial plays tackling social issues from an iconoclastic perspective. Some major plays include "Bluebeard", "Yes", and "The Crime of Fatso Oyama", among others. Also involved with the theater were artists Aquirax Uno and Tadanori Yokoo, who designed many of the advertisement posters for the group. Musically, he worked closely with experimental composer J.A. Seazer and folk musician Kan Mikami. He was also involved in poetry and at 18 was the second winner of the Tanka Studies Award. Terayama experimented with ‘city plays’, a fantastical satire of civic life. Also in 1967, Terayama started an experimental cinema and gallery called 'Universal Gravitation,' which is in fact still in existence at Misawa as a resource center. The Terayama Shūji Memorial Hall, which has a large collection of his plays, novels, poetry, photography and a great number of his personal effects and relics from his theatre productions, can also be found in Misawa. In 1976, he was a member of the jury at the 26th Berlin International Film Festival. Terayama published almost 200 literary works, and over 20 short and full-length films. He was married to Tenjō Sajiki co-founder Kyōko Kujō, but they later divorced, although they continued to work together until Terayama's death on May 4, 1983 from cirrhosis of the liver. Description above from the Wikipedia article Shūji Terayama, licensed under CC-BY-SA, full list of contributors on Wikipedia

寺山修司在本站可看的作品

寺山修司在本站有2部作品,包括影视2部。 可在网页、手机 App 和电视端观看,也可以转到电视直播。

演员作品

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あしたはどっちだ、寺山修司
免費

あしたはどっちだ、寺山修司

紀錄

2017-12-02 

《あしたはどっちだ、寺山修司》(2017) 這部紀錄片以詩意的鏡頭語言,追循寺山修司這位傳奇前衛藝術家的人生軌跡。影片沒有平鋪直敘地講述生平,而是通過未曾公開的影像、手稿和親友訪談,拼貼出他內心那個充滿實驗、叛逆與浪漫的世界。片名“明天是哪個方向”恰如寺山本人——永遠在探索未知,拒絕被定義。從地下劇場到銀色詩篇,他的每一面都像稜鏡般折射出時代的瘋狂與敏感。亮點在於導演巧妙混合真實素材與超現實動畫,讓寺山那些關於死亡、故鄉與自由的思考變得觸手可及。若你對日本亞文化或先鋒藝術感興趣,這部影片絕對值得看。

あしたはどっちだ、寺山修司

記憶のカタログ
免費

記憶のカタログ

暂无分类信息

1977-08-28 

《記憶のカタログ》(1977),一部以情感為線索的文藝劇情片,用記憶清單串聯起跨越時空的人生碎片。主角在整理亡妻遺物時,發現一本標註著日期的舊相冊,每頁照片背後都藏著一個未說完的故事——從秘密初戀到錯失的旅行計劃,從被遺忘的約定到從未送出的禮物。這些看似瑣碎的檔案,逐漸拼湊出兩人婚姻中那些被日常掩蓋的深情與遺憾。導演以剋制而詩意的鏡頭語言,讓觀眾跟著主角一起在記憶的迷宮裡徘徊,最終領悟:愛不是完美無缺的相冊,而是願意整理那些泛黃雜亂的頁碼。這部1977年的影片不煽情卻動人,尤為推薦給喜歡在慢節奏中品味人生況味的影迷。

記憶のカタログ

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あしたはどっちだ、寺山修司
免費

あしたはどっちだ、寺山修司

紀錄

2017-12-02 

《あしたはどっちだ、寺山修司》(2017) 這部紀錄片以詩意的鏡頭語言,追循寺山修司這位傳奇前衛藝術家的人生軌跡。影片沒有平鋪直敘地講述生平,而是通過未曾公開的影像、手稿和親友訪談,拼貼出他內心那個充滿實驗、叛逆與浪漫的世界。片名“明天是哪個方向”恰如寺山本人——永遠在探索未知,拒絕被定義。從地下劇場到銀色詩篇,他的每一面都像稜鏡般折射出時代的瘋狂與敏感。亮點在於導演巧妙混合真實素材與超現實動畫,讓寺山那些關於死亡、故鄉與自由的思考變得觸手可及。若你對日本亞文化或先鋒藝術感興趣,這部影片絕對值得看。

あしたはどっちだ、寺山修司

記憶のカタログ
免費

記憶のカタログ

暂无分类信息

1977-08-28 

《記憶のカタログ》(1977),一部以情感為線索的文藝劇情片,用記憶清單串聯起跨越時空的人生碎片。主角在整理亡妻遺物時,發現一本標註著日期的舊相冊,每頁照片背後都藏著一個未說完的故事——從秘密初戀到錯失的旅行計劃,從被遺忘的約定到從未送出的禮物。這些看似瑣碎的檔案,逐漸拼湊出兩人婚姻中那些被日常掩蓋的深情與遺憾。導演以剋制而詩意的鏡頭語言,讓觀眾跟著主角一起在記憶的迷宮裡徘徊,最終領悟:愛不是完美無缺的相冊,而是願意整理那些泛黃雜亂的頁碼。這部1977年的影片不煽情卻動人,尤為推薦給喜歡在慢節奏中品味人生況味的影迷。

記憶のカタログ

探索更多

探索更多

查看全部内容

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