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Alla Nazimova

1879-06-03演員

性别:

生日:1879-06-03

出生地:Yalta, Taurida Governorate, Russian Empire [now Crimea, Ukraine]

又名:Аделаида Яковлевна Левентон,Adelaida Yakovlevna Leventon

职业:演員

家庭成员:-

Alla Nazimova (Russian and Ukrainian: Алла Назимова; 3 June [O.S. 22 May] 1879 – 13 July 1945) was an American film and theatre actress, a screenwriter, and film producer. She is perhaps best known as simply Nazimova, but also went under the name Alia Nasimoff. She emigrated to the United States from the Russian Empire. In 1927, Nazimova became a naturalized citizen of the United States. She was signed up by the American producer Henry Miller and made her Broadway debut in New York City, in 1906 to critical and popular success. She quickly became extremely popular (a theatre was named after her) and remained a major Broadway star for years, often acting in the plays of Henrik Ibsen and Anton Chekhov. Dorothy Parker described her as the finest Hedda Gabler she had ever seen. Due to her notoriety in a 35-minute 1915 play entitled War Brides, Nazimova made her silent film debut in 1916 in the filmed version of the play, which was produced by Lewis J. Selznick. A young actor with a bit part in the movie was Richard Barthelmess whose mother taught Nazimova English. In 1917, she negotiated a contract with Metro Pictures, a precursor to MGM, that included a weekly salary of $13,000. She moved from New York to Hollywood, where she made a number of highly successful films for Metro that earned her considerable money. She was influential in the film industry in the silent era and continued to play character roles until the end of her life. Between the years of 1917 and 1922 Nazimova wielded considerable influence and power in Hollywood. By all accounts she was extremely generous to young actresses in whom she saw talent and became involved with at least some of them romantically. By 1925 Nazimova could no longer afford to invest in more films; and financial backers withdrew their support. Left with few options, she gave up on the film industry, returning to perform on Broadway, notably starring as Natalya Petrovna in Rouben Mamoulian's 1930 New York production of Turgenev's A Month in the Country and an acclaimed performance as Mrs. Alving in Ibsen's Ghosts. In the early 1940s, she appeared in a few more films, playing Robert Taylor's mother in Escape (1940) and Tyrone Power's mother in Blood and Sand (1941). This late return to motion pictures fortunately preserves Nazimova and her art on sound film. She died of a coronary thrombosis, age 66, in the Good Samaritan Hospital in Los Angeles. Her ashes were interred in Forest Lawn Memorial Park Cemetery in Glendale, California. Her contributions to the film industry have been recognized with a star on the Hollywood Walk of Fame.

Alla Nazimova在本站可看的作品

Alla Nazimova在本站有5部作品,包括影视5部。 可在网页、手机 App 和电视端观看,也可以转到电视直播。

演员作品

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自君別後
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自君別後

劇情,愛情,戰爭

1944-06-30 

此片是米高梅公司攝製的《米尼弗夫人》一片的姐妹篇。它描述了第二次世界大戰期間美國一箇中產階級家 庭在戰爭中遭受的不幸,以及她們對和平生活的憧憬和為戰爭而獻身的精神。克勞德特·克爾伯特飾演母親, 秀蘭·鄧波兒和詹妮芙·瓊斯飾演她的兩個女兒,海蒂·麥克丹爾飾演她們的女僕。 本片獲奧斯卡金像獎最佳戲劇片和喜劇片音樂獎及最佳影片提名。

自君別後

碧血黃沙
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碧血黃沙

劇情,愛情

1941-05-30 

《碧血黃沙》(1941),劇情愛情電影,在鬥牛士的榮耀與鮮血中,交織著狂野激情與宿命悲歌。泰隆·鮑華飾演的年輕鬥牛士,從貧寒少年一躍成為萬眾矚目的英雄,卻因一段熾熱婚外戀迷失自我。麗塔·海華絲飾演的妖嬈情人點燃他的慾望,而身邊賢妻的眼淚與鬥牛場的黃沙共同見證靈魂的墮落。影片將鬥牛儀式拍得驚心動魄,每一場搏殺都暗喻著主角的內心掙扎——當榮譽成為枷鎖,愛情變成毒藥,他最終在碧血黃沙中完成自我救贖。這部經典之作既有西班牙風情的視覺盛宴,又有人性的深刻拷問,值得看!

碧血黃沙

Madonna of the Streets
免費

Madonna of the Streets

劇情

1924-10-19 

《Madonna of the Streets》(1924),一部默片時代的愛情劇情片,在光影交織中叩問靈魂的救贖與犧牲。一位流落街頭的女子被描繪成聖潔的“聖母”,她以卑微之軀承載著世俗的偏見與內心的純潔。當一場錯位的愛情與道德枷鎖同時降臨,她的選擇既令人心碎又充滿力量。影片通過無聲的表演和細膩的鏡頭,展現了底層女性在逆境中的堅韌與神性光輝。這部經典默片值得看,它用百年前的影像依然能觸動當代人的心絃。

Madonna of the Streets

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自君別後
免費

自君別後

劇情,愛情,戰爭

1944-06-30 

此片是米高梅公司攝製的《米尼弗夫人》一片的姐妹篇。它描述了第二次世界大戰期間美國一箇中產階級家 庭在戰爭中遭受的不幸,以及她們對和平生活的憧憬和為戰爭而獻身的精神。克勞德特·克爾伯特飾演母親, 秀蘭·鄧波兒和詹妮芙·瓊斯飾演她的兩個女兒,海蒂·麥克丹爾飾演她們的女僕。 本片獲奧斯卡金像獎最佳戲劇片和喜劇片音樂獎及最佳影片提名。

自君別後

碧血黃沙
免費

碧血黃沙

劇情,愛情

1941-05-30 

《碧血黃沙》(1941),劇情愛情電影,在鬥牛士的榮耀與鮮血中,交織著狂野激情與宿命悲歌。泰隆·鮑華飾演的年輕鬥牛士,從貧寒少年一躍成為萬眾矚目的英雄,卻因一段熾熱婚外戀迷失自我。麗塔·海華絲飾演的妖嬈情人點燃他的慾望,而身邊賢妻的眼淚與鬥牛場的黃沙共同見證靈魂的墮落。影片將鬥牛儀式拍得驚心動魄,每一場搏殺都暗喻著主角的內心掙扎——當榮譽成為枷鎖,愛情變成毒藥,他最終在碧血黃沙中完成自我救贖。這部經典之作既有西班牙風情的視覺盛宴,又有人性的深刻拷問,值得看!

碧血黃沙

Madonna of the Streets
免費

Madonna of the Streets

劇情

1924-10-19 

《Madonna of the Streets》(1924),一部默片時代的愛情劇情片,在光影交織中叩問靈魂的救贖與犧牲。一位流落街頭的女子被描繪成聖潔的“聖母”,她以卑微之軀承載著世俗的偏見與內心的純潔。當一場錯位的愛情與道德枷鎖同時降臨,她的選擇既令人心碎又充滿力量。影片通過無聲的表演和細膩的鏡頭,展現了底層女性在逆境中的堅韌與神性光輝。這部經典默片值得看,它用百年前的影像依然能觸動當代人的心絃。

Madonna of the Streets

薩樂美
免費

薩樂美

劇情,奇幻,恐怖

1923-02-15 

《薩樂美》(1923),一部融合宗教寓言與情慾張力的默片傑作,在無聲的銀幕上演繹出驚心動魄的視覺詩篇。影片以聖經中施洗約翰之死為底色,卻將焦點轉向莎樂美——那位用七層紗舞換取聖人頭顱的公主。導演以極簡而富有表現力的鏡頭,捕捉她從天真到癲狂的蛻變:月光下的舞姿如蛇行般妖嬈,金盤上首級的陰影則投射出慾望的終局。全片無一句對白,卻憑藉誇張的肢體語言與光影對比,將權力的壓迫、信仰的狂熱與靈肉的撕扯推向極致。尤其結尾處莎樂美捧起頭顱的定格畫面,堪稱電影史上最早的心理恐怖鏡頭之一。若你痴迷於默片時代的實驗性與藝術張力,這部1923年的經典絕對值得看。

薩樂美

The Brat
免費

The Brat

劇情

1919-09-01 

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The Brat

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