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France Roche

1921-04-02演员

性别:

生日:1921-04-02

出生地:Saint-Tropez, Var, France

又名:France Roselyne Rachel Roche

职业:演员

家庭成员:-

France Roche is a French journalist, film critic, television producer and presenter, actress, born April 2, 1921 in Saint-Tropez and died December 14, 2013 in Paris 10th. She has also written books and film scripts, adapted plays and acted in films. She collaborated in particular with: Ciné Mondial (1941-1944), Cinévie and especially Cinémonde of which she was editor-in-chief, magazines devoted to cinema; Marie France then France-Soir, as head of the cinema page of Pierre Lazareff's daily newspaper. The newspaper then has a circulation of more than a million copies and can have three or four editions per day. She is the “Madame Cinema” of the most powerful French newspaper; the ORTF, as part of the broadcasts: Five columns on the front page, where she notably carries out an interview with Brigitte Bardot, Cinépanorama (programs on cinema, notably on the Cannes festival), Thirty years of silence (on the stars of silent cinema) and Headliner: long interviews with Pierre Brasseur, Madeleine Renaud (1966), Jean Marais (1968), Arletty, Annie Girardot (1969), Simone Signoret, Paul Meurisse (1970), Michel Piccoli (1971), Jeanne Moreau (1972)…; Antenna 2: called by Jacqueline Baudrier, she becomes deputy editor-in-chief and editorialist, head of the culture department. She is the specialist in cinema, entertainment and fashion on the television news (1969-1986) within the framework of which she notably presents live every day during the Cannes Film Festival a column on the films in competition. She also interviews Woody Allen in the show Woody Allen or the Funniest Anhedonist in the World (1979). She then participated in the shows Sexy Folies created by Pascale Breugnot (1986) in which she advised viewers on the telephone then J'aime à la Folie devoted to the Avignon Festival (1987-88): Canal Jimmy, where, at the request of Michel Thoulouze and Pierre Lescure she hosts T'as pas une idées, a trans-generational show in which a guest, born in the 1950s to 70s, is questioned by young people from the 1990s (1991-2001); CinéCinéma, where she presents the show Ciné-ciné court dedicated to short films; France Inter where she is a columnist for Pierre-Yves Guillen in the show Piment Rose. France Roche is the author of several film scripts, notably with Michel Audiard, whom she discovered and starred in around fifteen films between 1950 and 1958. She was a member of the jury at the Berlin Film Festival in 1961. France Roche's career presents an atypical profile. Familiar with the general public until around 1965, she then took on executive functions more in the background, with less visibility, before returning to the screens from 1986. Such a long eclipse, although only apparent, and her return, have at the time created astonishment. She was the wife of François Chalais then of Gilbert de Goldschmidt, with whom she has a son: Frédéric, born in 1959.

France Roche在本站可看的作品

France Roche在本站有6部作品,包括影视6部。 可在网页、手机 App 和电视端观看,也可以转到电视直播。

演员作品

切换1切换
Nullepartailleurs第2季
免费

Nullepartailleurs第2季

脱口秀

1988-08-29 更新至0集

暂无剧情简介信息

Nullepartailleurs第2季

Nullepartailleurs第1季
免费

Nullepartailleurs第1季

脱口秀

1987-08-31 更新至0集

暂无剧情简介信息

Nullepartailleurs第1季

La Rue des bouches peintes
免费

La Rue des bouches peintes

剧情

1955-07-22 

《La Rue des bouches peintes》(1955),一部以巴黎夜晚为背景的黑色剧情片,在霓虹灯影中揭开欲望与救赎的暗涌。涂唇街——一条藏匿着舞女、酒保与流浪汉的窄巷,因一桩意外谋杀而打破平静。影片以冷峻的镜头语言捕捉底层人物的挣扎:女主角在生存与尊严间摇摆,与一名神秘男子的若即若离,成为故事最动人的亮点。导演用光影对比营造出如梦似幻的复古氛围,情感在压抑中悄然迸发。如果你钟爱法式边缘叙事与人性拷问,这部1955年的冷门佳作,推荐。

La Rue des bouches peintes

法国康康舞
免费

法国康康舞

喜剧,剧情,爱情,音乐

1955-04-09 

《法国康康舞》(1955)是一部让·雷诺阿执导的华丽歌舞杰作,以色彩鲜艳的巴黎红磨坊为背景,讲述康康舞从民间艺术升华为舞台经典背后的爱恨情仇。影片并非单纯展现舞蹈,而是通过一位剧院经理与舞者、赞助人之间的复杂纠葛,带出艺术商业化的矛盾和浪漫激情的碰撞。雷诺阿用流畅的移动镜头和热烈的群舞场面,让观众仿佛置身于19世纪末巴黎的喧嚣夜色中。结尾的康康舞大戏尤其值得看,华丽且富有生命力。

法国康康舞

RefletsdeCannes第1季
免费

RefletsdeCannes第1季

纪录

1954-03-25 更新至0集

暂无剧情简介信息

RefletsdeCannes第1季

圣安娜的奇迹
免费

圣安娜的奇迹

喜剧

1950-01-01 

《圣安娜的奇迹》(1950) 是一部由奥逊·威尔斯执导并主演的历史剧情片,背景设定在意大利小镇。二战结束后,一位神父发现一尊圣安娜雕像竟流下血泪,引发全镇轰动。记者、官僚、信徒蜂拥而至,有人视其为神迹,有人则试图利用它谋取利益。威尔斯以标志性的深焦镜头和复杂调度,探讨信仰与虚伪的边界。影片融合黑色幽默与宗教哲思,堪称1950年冷门杰作。对于钟爱经典大师电影与人性剖析的观众,这部作品强烈推荐。

圣安娜的奇迹

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