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Roger Leenhardt

1903-07-23导演

性别:

生日:1903-07-23

出生地:Montpellier, Hérault, France

又名:-

职业:导演

家庭成员:-

Roger Leenhardt (23 July 1903 – 4 December 1985) was a French writer and filmmaker. Born in a bourgeois Protestant family, this brilliant student of philosophy was very soon fascinated by cinema. Through a cousin, he started working for the newsreel program Éclair Journal and in 1934 set up his own production company with René Zuber, "Les Films du Compas," later known as, "Roger Leenhardt Films.” As a critic in the journal Esprit, he was considered one of the most perceptive observers of pre-war France and strongly influenced André Bazin and the entire "Nouvelle Vague.” Thanks to his series of articles known as "La petite école du spectateur," cinema became considered as an art and a language in its own right. Leenhardt also contributed to other journals, such as Fontaine, Les Lettres Françaises, and l'Ecran français, in which in 1948 he delivered his famous cry, "Down with Ford! Long Live Wyler!" In 1949, he fostered the creation of the cinema club Objectif 49 of which he was the co-president with Robert Bresson and Jean Cocteau. Destined to promote a new cinema d'auteur, the club resulted in the creation in Biarritz of the Festival of Cursed Films [Festival des Films Maudits]. Beginning in the 1950s he presided over the French Association for the Promotion of Cinema [Association française pour la diffusion du cinéma] which organized a traveling festival, Cinéma Days [Les Journées du cinéma] (1953–1960). Finally, in 1955 Leenhardt participated in the creation in Tours of the International Days of Film [Journées internationales du film] which became the Festival of Tours. Specialized in short films, the festival brought together the foremost filmmakers, including François Truffaut, Chris Marker, Agnès Varda, Jacques Demy, Roman Polanski, Robert Enrico, and others. His documentary works are numerous and include the creation of more than 60 short films and the production of a similar number. There are two main categories of his work: Portraits of great writers (e.g. François Mauriac, Paul Valéry, Victor Hugo, etc.), and portraits of famous painters (e.g., Monet, Pissarro, Bazile, etc.). He also made a film on the origins of photography (Daguerre ou la Naissance de la photographie, 1964) and another on the invention of cinema (Naissance du cinéma, 1946), a masterpiece of pedagogical and intelligence. Privileging his artist vision, Leenhardt made only three feature-length fiction films: Les Dernières Vacances [fr] (1948), Le Rendez-vous de minuit [fr] (1961), and, for television, Une fille dans la montagne (1964). Moreover, Roger Leenhardt appeared in three films as an actor. In Les Dernières vacances, he is the teacher. Jean-Luc Godard chose him to be the character "Intelligence" in Une femme mariée (1964) and François Truffaut chose him as the publisher in L'Homme qui aimait les femmes (1977).

Roger Leenhardt在本站可看的作品

Roger Leenhardt在本站有2部作品,包括影视2部。 可在网页、手机 App 和电视端观看,也可以转到电视直播。

演员作品

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痴男怨女
免费

痴男怨女

剧情,喜剧,爱情

1977-04-27 

《痴男怨女》(1977),一部被岁月尘封的香港爱情伦理片。没有简单的好人坏人之分,只有两个在婚姻围城里互相折磨的男女——丈夫沉溺旧情,妻子用刻薄和报复刺痛对方,却在每次争吵后更深地纠缠。导演用细腻的镜头语言,捕捉眼神与沉默里的千言万语,把“爱而不得”的痛楚拍得淋漓尽致。片中的旗袍、街灯和雨巷都成了情绪的注脚,若你偏爱老派文艺片里那种克制又汹涌的情感,这部被低估的经典推荐给你。

痴男怨女

已婚女人
免费

已婚女人

剧情,爱情

1964-12-04 

《已婚女人》(1964),一部深刻探讨婚姻围城内女性心理的剧情片。当激情褪去,日常琐碎与情感疏离如何蚕食自我?导演以冷峻而诗意的镜头,剖开一位中产阶级主妇的隐秘挣扎:她在丈夫与情人之间游移,试图找回被家庭角色吞没的个体存在感。1964年的法国社会,婚姻制度被视为牢笼,而本片恰恰从女性视角撕开这道裂痕,用细腻的心理刻画与胶片质感,呈现一场无声的内心革命。没有激烈冲突,却处处是暗涌:偷情的短暂欢愉、与孩子的疏远、自我意识的觉醒……这些元素共同拼凑出一幅关于婚姻本质的残酷拼图。无论是对婚姻制度感兴趣的观众,还是偏爱心理剖析的影迷,这部法国新浪潮遗珠都值得看。

已婚女人

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痴男怨女
免费

痴男怨女

剧情,喜剧,爱情

1977-04-27 

《痴男怨女》(1977),一部被岁月尘封的香港爱情伦理片。没有简单的好人坏人之分,只有两个在婚姻围城里互相折磨的男女——丈夫沉溺旧情,妻子用刻薄和报复刺痛对方,却在每次争吵后更深地纠缠。导演用细腻的镜头语言,捕捉眼神与沉默里的千言万语,把“爱而不得”的痛楚拍得淋漓尽致。片中的旗袍、街灯和雨巷都成了情绪的注脚,若你偏爱老派文艺片里那种克制又汹涌的情感,这部被低估的经典推荐给你。

痴男怨女

已婚女人
免费

已婚女人

剧情,爱情

1964-12-04 

《已婚女人》(1964),一部深刻探讨婚姻围城内女性心理的剧情片。当激情褪去,日常琐碎与情感疏离如何蚕食自我?导演以冷峻而诗意的镜头,剖开一位中产阶级主妇的隐秘挣扎:她在丈夫与情人之间游移,试图找回被家庭角色吞没的个体存在感。1964年的法国社会,婚姻制度被视为牢笼,而本片恰恰从女性视角撕开这道裂痕,用细腻的心理刻画与胶片质感,呈现一场无声的内心革命。没有激烈冲突,却处处是暗涌:偷情的短暂欢愉、与孩子的疏远、自我意识的觉醒……这些元素共同拼凑出一幅关于婚姻本质的残酷拼图。无论是对婚姻制度感兴趣的观众,还是偏爱心理剖析的影迷,这部法国新浪潮遗珠都值得看。

已婚女人

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