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Jaque Catelain

1897-02-09演员

性别:

生日:1897-02-09

出生地:Saint-Germain-en-Laye, Yvelines, France

又名:Jacques Guérin-Castelain,Jaque-Catelain,Jacques Catelain,Jacques Catelin,Jacque Cathelain

职业:演员

家庭成员:-

Jaque Catelain was a French actor who came to prominence in silent films of the 1920s, and who continued acting in films and on stage until the 1950s. He also wrote and directed two silent films himself and was a capable artist and musician. He had a close association with the director Marcel L'Herbier. He was born as Jacques Guérin-Castelain in Saint-Germain-en-Laye. His father was then the mayor and also moved in literary and theatrical circles, which allowed the young Jacques to encounter many famous names in his childhood. He showed early enthusiasm for the arts and music, and at the age of 16 he entered the Académie Julian in Paris to study fine arts. With the outbreak of war in the following year, he changed direction and chose to study acting at the Conservatoire, enrolling in the class of Paul Mounet, before being mobilised into the artillery. In 1914 Catelain met Marcel L'Herbier, then a writer and critic, who became a major influence on his life and career, and with whom he formed a lifelong friendship. When L'Herbier began directing films in 1917, Catelain became his leading man of choice and starred in twelve of his silent films, starting with Le Torrent, and they made Catelain into a leading star who was in demand to appear in foreign films as well as in productions of other French directors. In 1925 he was offered a seven-year contract by MGM to work in America, but he turned this down. Jaque Catelain's activities in this period extended beyond acting. When Marcel L'Herbier set up his own production company Cinégraphic in 1922, its first project became Le Marchand de plaisirs which Catelain directed as well as acting a double role in it. In the following year he wrote and directed La Galerie des monstres (1923/24). Both films were successful enough to cover their costs. He devised controversial make-up for some of the actors in L'Inhumaine, and his artistic skills were put to further use in two set designs for L'Argent. As a pianist he would sometimes step in to provide improvised accompaniment for previews of L'Herbier's films. Catelain successfully made the transition from silent to sound films, starring in L'Herbier's L'Enfant de l'amour (1929), but during the 1930s he took fewer leading film roles and started to act in the theatre. In February 1933 he married Suzanne Vial, a friend since childhood who had become a production assistant to L'Herbier in the 1920s and continued working with him until 1944. Soon afterwards in 1933/1934 he was employed by the daily newspaper Le Journal to go to Hollywood to carry out a series of interviews with leading personalities such as Chaplin, Stroheim and Sternberg. In May 1940, Catelain left France for a four-month theatrical tour of South America, but within a month France was occupied by the Germans and his absence lasted for six years. In Buenos Aires he became so ill with pneumonia that he was given the last rites, but he recovered and went to Canada for the next three years for work in the theatre and propaganda broadcasts. In 1943 he was invited to Hollywood and remained there for a further three years. He returned to Paris in 1946, and resumed an occasional career in films, appearing in minor roles in three of Jean Renoir's films in the 1950s. In 1950, he published a biography and appreciation of the work of Marcel L'Herbier. Catelain died in Paris in 1965.

Jaque Catelain在本站可看的作品

Jaque Catelain在本站有7部作品,包括影视7部。 可在网页、手机 App 和电视端观看,也可以转到电视直播。

演员作品

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科德利尔的遗嘱
免费

科德利尔的遗嘱

电视电影,科幻,恐怖

1960-07-04 

柯尔德利博士住在巴黎的一个郊区,他为了研究人脑的功能而脱离社会。他的一生好友乔利大律师在柯尔德利起草一份遗嘱,将整个遗产都留给了一个陌生人奥帕勒时感到担忧;他不明白为什么柯尔德利会为他辩护,因为奥帕勒曾袭击妇女和儿童。在一名同事被杀后,乔利质问柯尔德利,发现了他朋友行为背后的真相。

科德利尔的遗嘱

法国康康舞
免费

法国康康舞

喜剧,剧情,爱情,音乐

1955-04-09 

《法国康康舞》(1955)是一部让·雷诺阿执导的华丽歌舞杰作,以色彩鲜艳的巴黎红磨坊为背景,讲述康康舞从民间艺术升华为舞台经典背后的爱恨情仇。影片并非单纯展现舞蹈,而是通过一位剧院经理与舞者、赞助人之间的复杂纠葛,带出艺术商业化的矛盾和浪漫激情的碰撞。雷诺阿用流畅的移动镜头和热烈的群舞场面,让观众仿佛置身于19世纪末巴黎的喧嚣夜色中。结尾的康康舞大戏尤其值得看,华丽且富有生命力。

法国康康舞

L'Escadrille de la chance
免费

L'Escadrille de la chance

喜剧

1938-06-29 

《L'Escadrille de la chance》(1938),一部充满激情的法国战争冒险电影,聚焦于一战时期空军飞行员的生死命运。片中幸运中队在硝烟中穿梭,主角们不仅要面对敌机的致命威胁,还要处理战友间的信任与背叛。Lili Damita与Gaston Jacquet等演员的精彩演绎,让空战场景与人物情感交织,紧张刺激之余不乏温情。那些关于勇气与忠诚的抉择,在旧时代胶片中熠熠生辉。如果你钟爱古典空战题材,这部经典很值得一看。

L'Escadrille de la chance

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科德利尔的遗嘱
免费

科德利尔的遗嘱

电视电影,科幻,恐怖

1960-07-04 

柯尔德利博士住在巴黎的一个郊区,他为了研究人脑的功能而脱离社会。他的一生好友乔利大律师在柯尔德利起草一份遗嘱,将整个遗产都留给了一个陌生人奥帕勒时感到担忧;他不明白为什么柯尔德利会为他辩护,因为奥帕勒曾袭击妇女和儿童。在一名同事被杀后,乔利质问柯尔德利,发现了他朋友行为背后的真相。

科德利尔的遗嘱

法国康康舞
免费

法国康康舞

喜剧,剧情,爱情,音乐

1955-04-09 

《法国康康舞》(1955)是一部让·雷诺阿执导的华丽歌舞杰作,以色彩鲜艳的巴黎红磨坊为背景,讲述康康舞从民间艺术升华为舞台经典背后的爱恨情仇。影片并非单纯展现舞蹈,而是通过一位剧院经理与舞者、赞助人之间的复杂纠葛,带出艺术商业化的矛盾和浪漫激情的碰撞。雷诺阿用流畅的移动镜头和热烈的群舞场面,让观众仿佛置身于19世纪末巴黎的喧嚣夜色中。结尾的康康舞大戏尤其值得看,华丽且富有生命力。

法国康康舞

L'Escadrille de la chance
免费

L'Escadrille de la chance

喜剧

1938-06-29 

《L'Escadrille de la chance》(1938),一部充满激情的法国战争冒险电影,聚焦于一战时期空军飞行员的生死命运。片中幸运中队在硝烟中穿梭,主角们不仅要面对敌机的致命威胁,还要处理战友间的信任与背叛。Lili Damita与Gaston Jacquet等演员的精彩演绎,让空战场景与人物情感交织,紧张刺激之余不乏温情。那些关于勇气与忠诚的抉择,在旧时代胶片中熠熠生辉。如果你钟爱古典空战题材,这部经典很值得一看。

L'Escadrille de la chance

马赛曲
免费

马赛曲

历史,剧情

1938-02-10 

《马赛曲》(1938)是一部气势磅礴的历史战争影片,将观众带回1792年法国大革命最激荡的岁月。导演让·雷诺阿以恢弘的群像叙事,勾勒出马赛义勇军高唱战歌奔赴巴黎的壮烈征程。影片没有聚焦单一英雄,而是通过士兵、市民、贵族等多重视角,还原革命洪流中个体的热血与困惑。战火、街头集会、宫廷阴谋交织,再现《马赛曲》诞生背后的民族觉醒。镜头语言充满诗意与力量,既有史诗的格局,又不失细腻的人性刻画。这部经典之作不仅是法国电影的骄傲,更用艺术永恒定格了自由与抗争的号角。如果你对革命题材或经典老片情有独钟,非常推荐一看。

马赛曲

无情的女人
免费

无情的女人

剧情,科幻

1924-12-12 

住在巴黎郊区的著名歌手克莱尔·莱斯考特受到许多男人的追求,其中包括王公德乔拉·德·诺普尔和年轻的瑞典科学家埃纳尔·诺森。 在她奢华的聚会上,她享受他们的多情关注,但她在情感上仍然冷漠并无情地嘲笑他们。 当她被告知诺森因为她而自杀时,她没有表现出任何感情。 在她的下一场音乐会上,观众对她的冷漠感到愤怒,向她发出嘘声。 她参观了诺森尸体所在的金库,当她承认自己对他的感情时,她发现他还活着。 他的死是假死的。 乔拉嫉妒他们的新关系,导致克莱尔被毒蛇咬伤。 她的尸体被带到诺森的实验室,在那里他利用他的科学发明使克莱尔复活。

无情的女人

唐璜与浮士德
免费

唐璜与浮士德

剧情

1922-10-07 

《唐璜与浮士德》(1922),一部融合欧洲两大传说的默片经典。影片将情圣唐璜的放浪不羁与学者浮士德的灵魂交易巧妙交织,在黑白光影中探讨欲望与救赎的永恒命题。没有对白的时代,依靠演员夸张的肢体语言和表现主义布景,塑造出荒诞又迷人的超现实氛围。两大主角如同镜像对比,一个追逐肉欲,一个渴求知识,最终都陷入与魔鬼的纠葛。亮点在于导演用早期电影技巧呈现了抽象的心理挣扎,让百年后的观众仍能感受到人性的挣扎。这部作品值得看,它不仅是电影史的活化石,更在无声中讲述了一个关乎所有时代的寓言。

唐璜与浮士德

Le Torrent
免费

Le Torrent

暂无分类信息

1917-11-30 

《Le Torrent》(1917),这部默片时代的经典之作,以“影片”类型融合了心理惊悚与自然主义悲剧。故事聚焦于一名被压抑的青年,他在目睹母亲遭遇暴行后,内心如同溪流暴涨为洪流,最终在复仇与忏悔的漩涡中撕裂自我——导演用光影的明暗对比和人物面部特写,将欲望与罪疚的暗流推到极致。没有一句对白,却让观众听见灵魂的嘶吼。值得一提的是,片中洪水场景的实拍在1917年堪称技术奇迹,那种原始粗粝的震撼至今仍能穿透百年时光。如果你渴望体验早期电影如何用纯粹影像讲述复杂人性,这部《Le Torrent》非常值得看。

Le Torrent

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